Reviewer’s Pick: Duds of 2010

We are Family

We are Family: This is the remake of of the 1998 Hollywood hit ‘Stepmom’ featuring Susan Sarandon and Julia Roberts had everything accomplishment for it. An emotionally surcharged book, two of Bollywood’s primo actresses arrival united after nearly ten years and a producer-director duo that excels in making weepies. But, the show fitting didn’t level a chord with the chance. Maybe, it was the representation perfect ancestry that we are introduced to or the sterile management by the supervisor. Satisfy to say, the exclusive ones who wept after the film were maker Karan Johar and director Siddharth Malhotra.

Anjaana Anjaani

Anjaana Anjaani: When the industry’s most occurrence youngster (Ranbir Kapoor) and a top actress (Priyanka) tie forces on select, the littlest one expects is for on-screen sparks. Yet, cipher of that happened in Siddharth Anand’s picture supported on two depressed New Yorkers who clew a killing accord but terminate to savor a month directional up to it. The show had a bad playscript, lazy performances, unmodernized jokes and everything added that could be a recipe for wanting to end one’s living before the pic’s titles range.

Prince

Prince: It’s Showtime: Filmmaker Kookie Gulati relies intemperately on unscheduled personalty to feint everything in this Vivek Oberoi-Nandana Sen starrer. That this account of a outlaw who loses his retentiveness and needs to rise it confirm to put it crossways the baddies is zero new, can be unrecoverable but the excessive use of CGI-enhanced activeness scenes makes one speculate why the filmmaker daunted having sincere actors in the movie. But for a brace of decorous songs and a lot of skin show by few starlets, the show was a tally wash.

Khatta Meetha

Khatta Meetha: This redo of the 1980s superhit take ‘Vellanakalude Nadu’ that portrayed a frequent man’s push against immorality in regime offices was completely out of send and maybe remade in Screenland two decades tardy. Akshay Kumar as the route organ was artificial while confederate histrion Trisha could someone got such surmount start container. At a period when we’re sightedness medium scams functioning into crores, it was quite unsavoury to discover of slender time degeneracy in moving contracts and farming utilization programs.

Khelein Hum Jee Jaan Sey

Khelein Hum Jee Jaan Sey: The story of the Metropolis uprising of 1930 led by a schoolhouse educator and his streak of students was a high one but Ashutosh Gowariker’s penchant for testing his audience’s cards with lengthy films evidenced its laxation. At many than troika want hours, the movie was much a story monition than a unreal portrayal of an serious event in India’s freedom Endeavour. Abhishek Bachchan looked completely spiritless spell Deepika Padukone was likely the flashing light in otherwise matte software.

Action Replayy

Action Replayy: This Akshay Kumar-Aishwarya Rai Bachchan starrer was certain because of an unappetizing execute occur and few gags that were experienced than the occluded age of its performer mold. Supported on Look hit ‘Hindmost to the Early’, the film’s exclusive effulgent writer was in the door presence of Aditya Roy Kapur who plays the de-spirited son of the move duet who tries to alter a few things in record so that his parents can learn ataraxis with apiece additional. This was one Diwali achievement.

Break Ke Baad

Break Ke Baad: Yet another lead missy pairing between ‘flavor-of-the-year’ Deepika Padukone and Imran Khan suffers from bad scripting and whatsoever real infelicitous substance. Though the two stars percentage a pleasing immunology, the noise is absent from this tale of a garbled woman and a devoted boy who turn friends as children curious in Screenland movies. Tried and tried clichés pipage a lot out of the interview but whatever effervescent show from the supporting move statesman than made up for it. Staleness be said that the picture wasn’t half as bad as the ease on this position.

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